A book is just a book.
The words, the style, the mood, the sentiment — it’s all there in the book.
But to create a literary device for the reader, or for an author, or a literary community, there’s a whole different set of skills.
It’s called literary strategies.
And to be a literary strategy, you need a certain kind of talent, a certain type of work ethic.
For instance, if you want to create something as a literary devices, you have to have a certain work ethic, or you’ll be in trouble.
In other words, you’ll have to take some risks.
But that’s the whole point.
And the most important thing is that you have the ability to take risks.
That is the real key.
So when you have a writer who has a very different work ethic than what you want, that’s a huge problem.
And if you don’t have that talent, you can’t do anything.
So the challenge for me has been to be able to put myself into situations where I have to do that.
So I had this book that was about a person who has this amazing talent.
So I went to the publisher and said, “You know, I want to make a book about this person.”
And they said, ‘Sure, we’ll get in touch with you.’
So I go and talk to him.
I meet with him, I sit down with him.
And I’m able to get his thoughts.
And that’s very different from an author who has to get in contact with him every day.
And then when you can get that in front of the writer, that person is a much better person.
He’s going to understand the book better.
He has to have the courage to go in there and say, “Hey, I have this talent.
How do I make it work for me?
How do you do this?”
So that’s how I’ve been able to write this book.
And I’m not the first writer to do this.
You know, there are many other writers who have done this, but there are few that I think can compare to the kind of things that I’ve done.
Because the more you are able to do the creative work of the literary device you want — to do a book, a short story, a poetry — the better your book will be.
So that book has really been about this extraordinary person who is one of the greatest writers of all time, and I really wanted to create this book, and the more I did that, the more confident I was in the project.
And that was one of my goals.
And my goal was to be creative, and then be able, through my writing, to be successful.
And the more successful I was, the better I felt.
I didn’t feel like my work was a failure, but it was not a failure for me.
And then I became more confident.
And now I’m more confident in my work.
And now I can do that work and be a success.
So my first book is a very, very strong literary device.
And it’s called The Book of the Month.
I hope you enjoy reading it.