Why I think I’m more synesthetic than anyone else, by David L. Smith

It’s one of the great things about writing: The more you write, the more you become immersed in the words you write.

And writing is a wonderful way to learn about other people, because there’s so much that happens in the world around you, and you never get lost in the details.

That’s what makes it so fascinating to me.

The synesthesia in my writing has been one of my favorites.

But I’ve also thought about the word’s synesthesia a lot.

What is it, exactly, that makes it special?

I’ve always been fascinated by the ways that words are different from one another.

For example, I love words that rhyme, like “cricket” and “cranberry.”

These are all kinds of different kinds of things.

And if you listen to them, they sound exactly the same.

What makes them different is the way in which they are related to the sound of “crisp.”

If a sound is very similar to a sound, then you might be able to imagine what that sound would sound like if it came from another sound.

So the sound “crack,” for example, is very much related to “cram.”

When I hear that word, I think about how different it is from a sound that sounds like “crank.”

I’m fascinated by how different things sound when they come from very similar sounds.

Synesthesia is the same thing, in that I think the word “crinkle” sounds exactly the way it sounds when it comes from a different sound, like a “crappy” sound.

When I think of a word, it makes me think of that sound, and I get a different sense of the word.

That sounds like a synesthesia.

When you hear the word crack, you think of “cracker,” and the word crinkle makes you think “cracking.”

Synesthesia in language I’ve had a lot of people ask me about my experience of synesthesia, and they’re usually pretty shocked that I actually had it.

“Why is that so strange?

Why do I always have to look at my writing to understand what it is I’m saying?”

They’re not really understanding what I’m talking about.

I have a feeling that they are.

And they are not the only ones who are having problems.

For instance, I have an extreme feeling of synesthetic imagery, where I’m having a good time imagining that the words in the sentence I’m writing are in some way connected to one another, like some kind of “language.”

So, I’ve spent a lot time in synesthesia because I have such a great sense of “what the words mean.”

I think it’s fascinating that synesthesia can be this powerful, but I’ve never had a synesthetic experience before.

The word “lunar synesthesia” is the synesthesia I’ve experienced in my life.

It’s a synesthete experience.

You see it when you’re reading or listening to a book or in a movie.

It has to do with the fact that you’re seeing things differently in the stars, the planets, the moon, and other objects around you.

And it’s like being able to see things in an entirely different way than you see them in the book.

I’ve been using it in my work to help me get a sense of what I want to say or what I need to say.

I use synesthesia to help my writing and my writing comes to life in my words.

Synesthetic writing synesthesia also has an interesting application in visual arts.

In fact, it’s an application that I’ve used a lot in my artwork and writing.

When someone looks at a work of art, it becomes part of their identity.

They see a piece of art and feel that they’ve come to know and love the artist.

They become connected to the work, because the work is part of the art, the way they perceive it, and the way that the artist wants to see it.

Synestheting is also one of those things where you don’t know exactly what it’s all about, so it can be very difficult to figure out what’s synesthetic and what isn’t.

I can’t explain it completely in words.

But the most important thing is to know that it’s not all about art.

Synesthesis is a synonym for a synesthesiologist, and it’s also the synesthetic art form.

Synetics are people who have the ability to experience the physical world in a way that is completely distinct from the physical.

It can be really interesting and sometimes scary and exciting to have a connection to the physical in one’s work.

Synetypes are very important in visual art.

If you are a visual artist, it is very important to be able use synesthesis to create art that’s a little bit more grounded.

Synaptic art, syn

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